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It is also steeet as a prime example as to why Harlow became a star so quick. She is a loveable sex goddess, and there has simply been no other like her. The way she stares at and chides Gable, and the sheer image of delight which graces her expressive face when she's in his presence, is something that couldn't be taught in any acting college.

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It is also stands as a prime example as to why Harlow became a star so quick.

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She is a loveable sex goddess, and there has simply been no other like her. The way she stares at and chides Gable, and the sheer image of delight which graces her expressive face when she's in his presence, is something that couldn't be taught in any acting college.

It is pure Harlow. The production value is quite adequate forwith Harlow playing a prostitute on the run who happens upon Gables rubber plantation. The arrival of Mary Astor and her husband played well by Gene Raymond, threatens Harlow's chances with Gable, as he takes a liking to the pleasant demeanor of Astor.

The rain-barrel scene in which gable scolds Harlow for being to "care-free" is one of Hollywood's most memorable film moments.

This film was remade as "Mogambo" by John Ford in Though more than competent in their roles, neither of these actresses could recapture the spark that made Harlow and Gable the "it" couple of the streft. Was this review helpful? Pre-code period piece melodrama with intelligent writing.

Mary Astor, a star since appearing opposite John Barrymore in "Don Juan", plays a repressed wife who doesn't believe in the strength of her husband Gene Raymond nor her own weakness when it comes to resisting the animal magnetism of rubber plantation owner Dennis Clark Gable. Conversely, Gable doesn't realize his weakness in letting himself harpow involved with the ladylike Astor and underestimates the strength of prostitute Vantine Harloa Harlow who, when Astor shoots Gable, gives witness to Raymond that his wife is innocent and that Gable deserved shooting.

For it's time,"Red Dust" stret sexually progressive, showing the freely running passions of Gable and the two women, while in retrospect, it's depiction of Asians is as poor stereotypes. Willie Fung, who plays Gable's houseboy, is also derided as gay in the script by the line delivered by Jean Harlow. Harlow streets Fung giggling at her underwear, to which she replies "Gee John Gilbert was to play prostitute part of Dennis originally as an attempt to bolster his masculine image which had been damaged by the higher-than-anticipated timbre of his voice as recorded by early sound equipment.

No "hero" ever countered the indignation of the leading lady before, and certainly not the divas at Metro-Goldwyn-Mayer.

Gable was a whole new breed of leading man. Jean Harlow's star had been on the ascendant after scoring a huge hit in "Red Headed Woman" a scandalous story of a secretary who sleeps her way to the top. The realism of these two performers in those films made them a natural for the raw harrlow tale of passion and betrayal.

In the middle of the making of the film, Jean Harlow's producer-husband, Paul Bern, was found dead. The scandal that followed frightened the studio who thought that Harlow's career was over. Scandal had ruined the careers harlod Fatty Arbuckle and Clara Bow, causing their studio Paramount to loose millions on their films.

For her part, Harlow returned to the studio and never spoke an unkind word about her late husband. Bern, it turned out, had a common law wife who had emerged from years-long institutionalization and confronted him about his new wife.

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Racism is not a key element in the plot of "Red Dust". For that, you would have to see "The Mask of Hzrlow Manchu" where the Asians are neither lazy nor stupid, but sexual predators, instead.

But for accurate Pre-censorship Hollywood adult dialogue and plot, "Red Dust" will do nicely, thank you.