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This particular usage, the textbooks teach us, cause the listener to parse the first chord not so much as a I chord per se, but more so as dual-appoggiatura embellishment of the V chord to which it is aded. In slightly plainer terms, this means you tend to hear this opening less as a full-fledged I-to-V root progression, and more so mi a V chord with simultaneous "" and "" suspensions placed upon it. Given the combination of the latter "effect" with the relatively widespread airplay given to "" suspensions within the rest of the song I wonder if, indeed, the infamous "false start" on the American edition of the "Rubber Soul" album was really a mistake or something done intentionally, in order to, right at the outset, call attention to itself.
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