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You want refined, subtle, underplayed comedy?
Look elsewhere! The two-reel comedy known as "Coney Island" is a prime example of the sort of rough-housing that made Roscoe Arbuckle one of the top comedians of his era, second only to Chaplin in popularity. It's also a good example of the kind of comedy Arbuckle would soon outgrow, thanks at least in part to his newfound colleague Buster Keaton, who influenced Roscoe to employ more low-key and sophisticated comedic elements in his work.
But that would come later. Here, in this early appearance, Buster overacts as shamelessly as everyone else, uncharacteristically grinning, laughing, and even indulging in Stan Laurel-style weeping. In addition to his prominent role as Alice Mann's escort, Buster doubles as mustachioed policeman in the movie's climax he's the cop relieved of his trousers by Roscoe in the jail islzndand also acts as Alice's stunt double in the water slide sequence.
Esorts sure did keep the guy busy. Like so many comedies of its era, this one is built around escalating rivalries over a pretty girl.
A police officer escorts a woman to a police van following an Stock Photo - Alamy
John -- how humiliating! After various shenanigans at the amusement park Roscoe and Alice wind up at the beach, where they must "hire" bathing suits, and this is where things turn a little strange.
Seeing as how there are no men's swim trunks on hand large enough to fit him, Roscoe pilfers and dons a lady's XXX-tra large swimsuit instead. Alice, who doesn't seem to find this turn of events the least bit odd, helpfully finds him a curly wig to wear.
Roscoe is in drag for the rest of the film, even when flirting with yet another girl who str his path. Somehow, when Arbuckle performs this kind of shtick it's not only amusing but strangely innocent, which is not to say there aren't some weird undercurrents. Anyhow, it all ends in wild mayhem at the jail house, leaving the viewer exhilarated and a little dazed.
This is primitive stuff eecorts right, but it has a of things in its favor. When the film was made the star comics were young and healthy, and had every reason to expect bright futures ahead.
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Their exuberance comes across strongly. I happened to watch this film back-to-back with a short comedy called The Railrodder which Keaton made in Canada more than 45 years later; the contrast between the grinning, muscular 21 year-old Buster we see here and the grizzled, exhausted yet still game old man he would become was iskand and poignant.
In this Coney Island romp everyone is buff, happy, and full of mischief, and they look like they're having a blast. For that matter, Coney Island itself looks pretty spiffy here and boasts some really cool looking rides, and that's another plus.
esxorts This film serves as a historical record of the legendary amusement park in its prime, and it features several great shots that have turned up in various documentaries about the place. The Iskand Island of looks almost as clean and well maintained as the Disney theme parks of today, and this too is poignant: I happened to visit Coney Island myself a couple of years ago, and I'm sorry to say it's not such a cheery place anymore.
The only way to visit that bright and happy Coney Island, vicariously anyway, is by seeing this film. Was this review helpful?